Memories of summers past with Gregg’s Coffee
We’ve had a bit of a halcyon summer and its great to see another blue sparkler in Wellington today (despite
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Author: Ngā Taonga Sound & Vision
Growing up and blowing up with Geoff Murphy
To coincide with our current season Flashbacks with Geoff Murphy: A Retrospective Trip, Heperi Mita shares some personal memories of growing up with a movie director for a father. And not just any movie director…
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‘Hostilities will cease…’ – Memories of the end of World War 1
Sarah Johnston has selected some recordings from the sound archive in which New Zealanders recall the end of World War One in November 1918.
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‘We Wouldn’t be a People’: Kaumātuatanga and Tangata Whenua (1974)
University of Leeds PhD student Emily Kate Timms, visited Ngā Taonga Sound & Vision in Wellington to delve into stories about Māori elders. She reflects on some of the rich and powerful material she discovered, as well as the importance of the presence of “cinematographic kaumātua” in our film and television history.
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Te Taki A Merata Mita – How Mum Decolonised The Screen
Merata Mita is remembered as an influential director and producer, and a pioneer of Māori filmmaking. Her son Hepi Mita has worked at Ngā Taonga Sound and Vision for the past 6 years. His film Merata: How Mum Decolonised the Screen premieres at the 2018 New Zealand International Film Festival.
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Te Anakura: a place of treasures
Access project developer Emma Richardson takes a look into the history of Ngā Taonga Sound & Vision’s Wellington building, Te Anakura, and its place within Te Aro.
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Ngā taringa hou – New ears for old voices
Wellington may have enjoyed an unusually-splendid summer this year, but three Victoria University Māori Studies students have not seen a lot of the sun. They spent their break from late November until late February in the Taranaki Street offices of Ngā Taonga Sound & Vision. With headphones fixed to their heads they passed the summer listening to the voices of tūpuna, recorded many decades before they were born.
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A Daughter of Christchurch and the Colour of Silent Film
Thanks to tinted film stock silent movies weren’t always black and white! Diane McAllen writes about a recent project to preserve Rudall Haywards ‘community comedy’ A Daughter of Christchurch in the vivid blues, pinks and oranges that would’ve been seen by audiences in the 1920s.
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Waitangi Kōrero During Sesqui 1990
Waitangi Day has often been a time for powerful oratory. Here’s an example from New Zealand’s 150th Anniversary celebrations in 1990, made on Waitangi Day by Bishop Whakahuihui Vercoe, with a little scene-setting commentary by Hēnare Te Ua.
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Recording the Return of the Māori Battalion – Te Hokinga Mai o Te Rōpū Rua Tekau mā Waru
The sound recordings made at pōwhiri in January 1946 to welcome home the men of the (28) Māori Battalion, are the focus of a new online exhibition launched this week by Ngā Taonga Sound & Vision, Te Hokinga Mai o Te Rōpū Rua Tekau mā Waru.
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