The finest animation studio in Horowhenua
A version of this article was originally published in Ōtaki Today. Did you know that Horowhenua was home to an international
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NZ History
Wellington: Then and Now
To mark Wellington Anniversary Day on January 21 2019, our Digital Content Editor Troy Coutts went out for a spot
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The history of history: New Zealand Wars Cinema and the Archives
Was Rewi’s Last Stand marketed in relation to WWII? What did American audiences make of Utu? Who played all the extra soldiers in Utu? What was in the lost 49 minutes of Rewi’s Last Stand? Research student Caitlin Lynch writes about her use of Ngā Taonga’s documentation archives for her Honours dissertation.
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The Maoriland Film Company
Lawrence Wharerau traces the history of Otaki’s early film industry in an article originally published in Otaki Today.
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‘Hostilities will cease…’ – Memories of the end of World War 1
Sarah Johnston has selected some recordings from the sound archive in which New Zealanders recall the end of World War One in November 1918.
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‘We Wouldn’t be a People’: Kaumātuatanga and Tangata Whenua (1974)
University of Leeds PhD student Emily Kate Timms, visited Ngā Taonga Sound & Vision in Wellington to delve into stories about Māori elders. She reflects on some of the rich and powerful material she discovered, as well as the importance of the presence of “cinematographic kaumātua” in our film and television history.
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Te Taki A Merata Mita – How Mum Decolonised The Screen
Merata Mita is remembered as an influential director and producer, and a pioneer of Māori filmmaking. Her son Hepi Mita has worked at Ngā Taonga Sound and Vision for the past 6 years. His film Merata: How Mum Decolonised the Screen premieres at the 2018 New Zealand International Film Festival.
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Te Anakura: a place of treasures
Access project developer Emma Richardson takes a look into the history of Ngā Taonga Sound & Vision’s Wellington building, Te Anakura, and its place within Te Aro.
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Ngā taringa hou – New ears for old voices
Wellington may have enjoyed an unusually-splendid summer this year, but three Victoria University Māori Studies students have not seen a lot of the sun. They spent their break from late November until late February in the Taranaki Street offices of Ngā Taonga Sound & Vision. With headphones fixed to their heads they passed the summer listening to the voices of tūpuna, recorded many decades before they were born.
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A Daughter of Christchurch and the Colour of Silent Film
Thanks to tinted film stock silent movies weren’t always black and white! Diane McAllen writes about a recent project to preserve Rudall Haywards ‘community comedy’ A Daughter of Christchurch in the vivid blues, pinks and oranges that would’ve been seen by audiences in the 1920s.
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