THE BIG ART TRIP. SERIES 1. EPISODE 04

Rights Information
Year
2001
Reference
F50534
Media type
Moving image
Item unavailable online

This content is for private viewing only. The material may not always be available for supply.
Click for more information on rights and requesting.

Ask about this item

Ask to use material, get more information or tell us about an item

Rights Information
Year
2001
Reference
F50534
Media type
Moving image
Item unavailable online

This content is for private viewing only. The material may not always be available for supply.
Click for more information on rights and requesting.

Series
THE BIG ART TRIP
Place of production
New Zealand/Aotearoa
Categories
Television
Duration
1:00:00
Broadcast Date
14/07/2001
Production company
COMMUNICADO
Credits
Producer: Janice Finn
Director: Jill Graham
Director: Sean Duffy
Line Producer: Kay Darby
Executive Producer: Robin Scholes
Production Manager: Ana Miskell
Post Production Director: Reubenpillsbury
Communicado Programme Services: Pamela Cain
Communicado Programme Services: Sonali Amarasingham
Camera: Clint Bruce
Editor: Cameron Crawford
Online Editor: Dee Annette Bolland
Sound: Jay Adshead
Sound Mix: Roger Green
Presenter: Douglas Lloyd Jenkins
Presenter: Nick Ward
Researchers: Davidedwin Thomas
Music: Liquid Studios Ltd
Title Design: Paul Redican
Title Design: Digital Masters

Nick Ward and Douglas Lloyd Jenkins travel about New Zealand and visit artists in their studio environments. 0:00:50 - The Big Art Trip
Interviews: Fiona Tonkin, rehearsal director - Royal NZ Ballet in Putaruru; Douglas McCubbin & Nadine Tyson, dancers, royal NZ Ballet; DianeWillcox, Putaruru ballet teacher; Lisa Benson, conceptual artist in Hamilton; Lyonel Grant, sculptor / master carver of Rotorua; Mike Petre, painter of Pio Pio.
0:58:14

Interview with Huntly photographer David Cook. Cook has a background in professional studio and museum photography and is interested in long term social documentary projects. He began photographing the Rotowaro coal mining township in 1984 and was able to document the demise of the town in 1987 when it was relocated to make way for open cast mining. His portrait of the community captures “a sense of people and place - people going about their daily life within their familiar landscapes.”