WORK OF ART. THE DARK FOREST

Rights Information
Year
1994
Reference
F53017
Media type
Moving image
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Rights Information
Year
1994
Reference
F53017
Media type
Moving image
Item unavailable online

Content available to view or listen online may not always be available for supply.
Click for more information on rights and requesting.

Place of production
New Zealand/Aotearoa
Duration
0:57:00
Production company
T.H.E
Credits
Director: Gregg Stitt
Choreographer: Michael Parmenter
Dancers: Glenn Birchall
Dancers: Brian Carbee
Dancers: Lisa Densem
Dancers: Helaina Keeley
Dancers: Taane Mete
Dancers: Claire O'Neill
Dancers: Michael Parmenter
Dancers: Mark Schulze
Dancers: Helen Winchester
Understudies: Simone Aughterlony
Understudies: Mathew Smith
Composer: Anthony Watson
Lighting Cameraman: Alan Locke
Editor: Chris Plummer
Designer: Andrew Thomas
Costume Design: Hillary Niederer
Sound Design: Chris Burt
Sound Recordist: Grant Lawrey
Playback Operator: Tony Gardner
Art Dept Assistant: Sven Bieringa
Special Effects: Jeff Curtis
Wardrobe: Claire Hewitt
Wardrobe: Amanda Harward
Make Up: Susan Davis
Camera Assistants: Daniel Hicks
Camera Assistants: Reagan Jones
Gaffer: Gerald Morse
Grip: Paul Murphy
Grip Assistant: Richard Turton
Additional Photography: Jason Ellis
Production Manager: Carole Pagonis
Researcher: Moira Long
Production Assistant: James Wallace
Additional Photographs: Martin Lodge
Additional Photographs: The Klaus Wagenbach Archive
Network Executive: Tom Finlayson
Executive Producer: Caterina De Nave
Producer: Trevor Haysom

A documentary about the creation of The Dark Forest, a dance work by Michael Parmenter. Parmenter talks about his personal life and the effects of HIV/AIDS, dancing, and the creative process of choreographing the work ‘The Dark Forest. The dance is shown in various stages of rehearsal and production.

“The Dark Forest, created after the Los Angeles riots and the scapegoat beating of a truck driver, examines the psychological implications of the daughter being the scapegoat in Kafka’s own repressed family.”

Parmenter considers The Dark Forest to be among his best works because the music by Anthony Wilson and the movement work together perfectly to "express this Kafka-esque world I have created".

Parmenter also values the work because it differs greatly from his other choreography.

"There is a tensile quality in the music that brings out an angular contrapuntal rhythm in the movement. Some of my choreography just rolls on ad infinitum. Lyricism is my gift. The Dark Forest brought out something very different."
‘The New Zealand Herald’ 08.03.05