“We Must Rely on Dramatic Speech and Sounds Entirely”

By Gareth Watkins (Radio Collection Developer, Ngā Taonga Sound & Vision)

Ngā Taonga Sound & Vision recently acquired a wonderful set of cast photographs from the RNZ drama department (#292798). Dating back to the 1990s, the publicity photographs document some of the country’s top actors performing in a wide variety of radio plays.

One such play – Danger, by Richard Hughes – was performed live on the radio and in front of a studio audience in November 1996, in the now demolished Studio 1 of Broadcasting House. The performance marked the 75th anniversary of radio broadcasting in New Zealand. Not only was all of the dialogue performed live, but so to were the musical moments and the sound effects.

The play itself has had a distinguished history. It was the first play ever written for radio, premiering on the BBC on 15 January 1924:

“To my mind, one of the best plays ever broadcast (and I do not say this because I had the pleasure of producing it) was Danger by Mr. Richard Hughes. Here was something that was written for wireless only; the scene was in a coal mine, and was meant to be heard and not seen. If this play had been produced in a legitimate theatre the stage would have been in total darkness; the players and the action would remain unseen.” – Nigel Playfair, Popular Wireless, 9 March 1929

In 1956 author Richard Hughes reflected on the play:

Those were the days of the silent film and our “listening play” (as I dubbed it) would have to be the silent film’s missing half, so to speak, telling a complete story by sound alone… [] We thought of using a narrator but agreed it would be a confession of failure. No, we must rely on dramatic speech and sounds entirely … and it had never been done before.” – Richard Hughes, BBC Home Service, 1956

New Zealand audiences heard the play for the first time on 5 July 1929. It was performed live on air and to an audience at 2YA’s studios in Waring Taylor Street, Wellington. Prior to the broadcast The Radio Record (forerunner to the Listener magazine) warned: “because of its dramatic intensity it is not a play to which young children and those with very weak nerves should listen.”

Elsie Lloyd, a cast member from the 1929 production, was interviewed in 1976 by Peter Harcourt and Davina Whitehouse. In this excerpt Elsie recalls how the sound effects were created:

Interview with Elsie Lloyd, 10 November 1976, BCNZ

 

 

 

Sources

Quotes from Nigel Playfair and Richard Hughes were sourced from “Radio Drama at 90,” bbc.co.uk

Audio excerpt from Ngā Taonga Sound & Vision Radio Collection, all rights reserved. To enquire about re-use of this item please contact sound@ngataonga.org.nz

 

This post is part of the Audio Curios series. Radio Collection Developer Gareth Watkins regularly comes across interesting, unique, and sometimes downright puzzling bits of audio during his accessioning work. He’s going to share some of these audio treasures with you in the Audio Curios series, which will be posted here on the Gauge blog frequently.