Three Rokirokitia field kits

Rokirokitia: a community digitisation project like no other

27 Oct 2023
Kia rokirokitia ngā taonga ataata-rongo hei whakapapa kōrero, arā, ngā tutuku a ngā tūpuna.

A Rokirokitia field kit in use at Te Awhina Marae.

Hero image: Three Rokirokitia field kits ready for use.

Starting in the midst of the COVID-19 pandemic and lockdowns, Ngā Taonga Sound & Vision has been engaged in an unprecedented programme of community based magnetic media digitisation. Rokirokitia (a Māori word that can be translated as “to preserve or care for”) was devised and carried out by the Archive between 2021 and 2023. It saw us working with iwi/Māori groups all over Aotearoa New Zealand, giving people the skills and technology to rescue near-obsolete media and store it locally in digital formats.

To mark World Day for Audiovisual Heritage 2023, we’re finally sharing a look at this ambitious project with the wider public.

A Rokirokitia field kit packed up for storage or transport.

With Rokirokitia, the Archive took a new approach to supporting the preservation of Mātauranga Māori given the at-risk legacy media formats it was captured on. Mātauranga Māori, meaning Māori knowledge and knowledge systems, are central to Māori cultural identity and wellbeing. At-risk was defined as content on near-obsolete media like videotapes, audio cassettes, CDs and DVDs; formats highly susceptible to deterioration, and increasingly difficult to find playback hardware for. Many Māori communities hold audiovisual recordings of traditional knowledge holders rendered on near-obsolete media formats over several decades. If lost, these records would be irreplaceable. They include interviews with elders and recordings of important hui, dating from the 1970s to the early 2000s – knowledge vital to ongoing Māori-led efforts to revitalise language and culture.

With COVID- 19 recovery funding from New Zealand’s Manatū Taonga – Ministry for Culture and Heritage Te Awe Kōtuku Fund, Ngā Taonga created and distributed 50 mobile digitisation field kits. The kits were issued at no cost to iwi/Māori organisations all over Aotearoa New Zealand. Each kit contains refurbished audiovisual hardware, digitisation software, cleaning materials and instructions for use.

Anaru Dalziel demonstrates a field kit.

Digitisation equipment in the kits is housed in an 84kg racked road case on castors, like those used for stage productions or films. They’re designed to be modular, robust and transportable. While we had the option of having the racked road cases built in China at lower cost, we opted to have them manufactured within New Zealand in line with the project funder’s imperative that the money be used to stimulate local economies, post-COVID 19 lockdowns. The kits were designed in Wellington, constructed in Cambridge and equipped with a combination of new and refurbished video and cassette players, many sourced via TradeMe. This worked out for the better in more ways than one, when international shipping disruptions suddenly made it much slower and more expensive to import items. Local manufacture allowed us to proceed with the project without delays or extra expense.

Three field kits with their contents visible.

Because of the limited lifespan of audiovisual equipment - especially second-hand VCRs - all parts were designed to be swapped out for new ones when they wear out. The kit can also be scaled up, with new peripherals like microphones able to be added. Part of training delivery was encouraging kit recipients to seek out people in their own communities who know how to maintain electronics or source them second-hand, such as retired TV and video repairers.

Shane Farrow leads an in-person training session with Whakatohea iwi.

At first glance the field kits can look more imposing than they are, so providing thorough yet accessible training for different age groups, learning styles and technical competencies was vital. Community ‘super users’ were trained to use the field kits, including guidance on handling, cleaning and storing physical media, converting recordings to .wav and MP4, and creating technical metadata. Training delivery was hybrid, and delivered through a combination of a printed guidebook, 90 second instructional videos, and live workshops – both in person and online, depending on the Rokirokitia team’s ability to travel during lockdowns. Remote learning was more challenging for participants than face to face workshops – it removed the ability to read the room and adjust delivery accordingly. In total, the Rokirokitia training workshop was delivered around 30 times, to a total of 50 groups.

Trainer's view of a remote learning workshop during lockdown.

The goal of Rokirokitia was to give Māori the means to preserve their own traditional knowledge within the communities it originated from. Ngā Taonga sought to empower Māori to work directly with their own taonga, to shift recordings into digital formats, and archive them locally, in line with the principles of indigenous data sovereignty. This meant Ngā Taonga left it up to communities themselves to determine their own unique preservation priorities.

Recording a training video with Sharn Maree Cassady.

Ngā Taonga also didn’t ask participants for copies of any material digitised through the Rokirokitia programme. This ensures Māori retain full control over their own mātauranga - and who it is shared with. All digitised material will be stored locally by the original owners, not at the Archive. The primary goal of this project is to prevent knowledge from being lost by transferring it from analogue to digital formats, as high quality but not necessarily archival quality recordings.

We only asked that groups reported back to us on progress, partly to show funders the demand and need for this type of resource. This approach went a long way toward overcoming any initial scepticism about the Archive’s motives for offering the kits at no cost. At some of the first training workshops people incorrectly assumed we wanted their taonga in return for what we were offering. But it quickly became clear that the goal here was to support them to preserve their mātauranga Māori captured on at risk media. Overall, people were enthusiastic and appreciative of the opportunity on offer. Once trained most were also confident about operating the kit.

Two kits ready to send to their new home.

One of the first kits was distributed to the Waikato-Tainui iwi, a North Island tribe with more than 80,000 members. Two years after we delivered their kit and training, the iwi reported they had digitised 400 videotapes, and had installed their second replacement VCR machine without requiring any further assistance from the Rokirokitia team. All the voices, faces and stories on those old tapes are now safe from being lost, and the community has gained valuable new digitisation and archiving skills.

The Rokirokitia project finished as planned in mid-2023. While Ngā Taonga have no immediate plans to distribute any more kits, the option is there if further funding becomes available. The Rokirokitia programme’s community-based approach to digitisation offers one potential solution to the urgent problem of magnetic media obsolescence within communities who want to keep their traditional knowledge close and retain control over who it gets shared with.

A user poses with a field kit at Māoriland Film Festival.

We’d like to express our gratitude to the Manutū Taonga Te Awe Kōtuku Fund for the money that made this initiative possible, and to all 50 community groups for embracing this new approach to archiving.

World Day for Audiovisual Heritage video

The Coordinating Council of Audiovisual Archives Associations (CCAAA) made this video to mark the World Day for Audiovisual Heritage 2023.